The duo, who have never worked a day in their lives, learn that everything in life needs to be earned as they take on various jobs and are quickly fired from each one. The first season, which aired in 2003, features Paris and Nichol traveling to a farm in Altus, Arkansas where they are told they must help around the farm and find jobs. Their raunchy behavior and inability to perform what some would describe as the simple of tasks creates a style of natural humor embedded into the show. The riches to rags show puts Paris and Nichol in different situations where they must overcome everyday obstacles that are completely new to them.
#Simple life of delta daisies series
Tune in for an hour of fuzz-crunching garage rock ‘n’ roll and catch up on all shows on the From The Garage Mixcloud playlist.The Simple Life is a reality TV series that follows wealthy heiresses Paris Hilton and Nichole Richie as they journey from having everything handed to being in the working class. Nathan also presents From The Garage on Louder Than War Radio every Tuesday at 8pm. It’s a total blast!įollow Osees on their website, Facebook, and Twitter. On A Foul Form, they have shredded their recent formulas, incinerated them and conjured something from the ashes that just might be their most brutal creation. I mean, we have a thing we do, obviously, and there’s a lot of formulas that we’re trying to break or hold onto depending on how we feel about them.” “I think with any album you put on, you know it’s us, most of the time.” he told us in 2020, “But also I think it’s important to grow. John Dwyer knows that Osees are not a band that can continue to repeat and refine a singular sound. It’s a match made in anarcho-punk heaven, spitting macabre socio-political outbursts over intense jets of distorted attacks. Problem solved? The violence would hit such a high pitch that they just frenzied like sharks with chum.” And it really is that frenzy that he has bottled with the band on A Foul Form, every track a riot.Īnd, as if to hammer home the point of where this latest direction has come from, they sign off this 22-minute explosion of dense matter with a riotous cover of Rudimentary Peni’s Sacrifice. On the track, Dwyer says: “After years of having unpleasant to violent encounters with police, I had the thought that wouldn’t it be fun if they loved each other so much they ate each other…a sort of dark comedy. The video (above) encapsulates the idea to perfection, a song that directly addresses the politically legitimised violence meted out by agents of the state, individuals deindividualised. The guitar rings out like a hellbound police siren, a motif he returns to again on recent single Perm Act.
Between the frantic Frock Block and the blistering title track though, the band still find the space to cruise on a different groove on Too Late For Suicide. The album is a mass of major chord distortion, everything dialled up to ten, not just in the red but bleeding from the mixing desk through saturated smoke-filled and fueled mayhem. It’s a fresh-found intensity that just refuses to let up across the album’s ten tracks. Why die every night?” he asks as, once again, they shift to the left and this time around dive headlong into a vicious punkzoid garage blast that viscerates all in its path. “What the fuck is going on? Human life is not that long.
Right from the first track, the face-melting first single from the album, Funeral Solution, Dwyer and his band are on another planet altogether. And by God, on this new release from Osees he’s daisy-chained them all together.
They’d find me under a fucking pile of fuzz pedals.” That’s what John Dwyer told us back in 2020. “I have so many fuzz pedals that if they fell on me they’d probably fucking kill me. John Dwyer and co return with another Osees album of face-melting blistering garage punk.